ConfirmArt report archive

Real authentication cases by artist and artwork.

This archive groups representative ConfirmArt cases by artist. Each thumbnail uses the first artwork image referenced in the report source, optimized for fast browsing, and opens the full case page directly. Some cases are report viewers; others are visual case notes when no public PDF sample is appropriate.

125published real cases
38artist and case groups
1901indexed report page images

Quick archive index

Compact links to each artist and artwork group below.

47 reports

Historic, old master and unattributed cases

"da Leonardo da Vinci / MA." front imageHistoric, old master and unattributed cases

"da Leonardo da Vinci / MA."

A Leonardo-related grotesque heads plate is reviewed as a printed object, with attention to paper, plate evidence and historical image transmission.

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After Brueghel animal scene front imageHistoric, old master and unattributed cases

After Brueghel animal scene

An animal scene after Brueghel is studied through restoration, frame evidence, condition and comparative composition. The case asks what kind of object it is.

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Ahias, Prophet front imageHistoric, old master and unattributed cases

Ahias, Prophet

An engraving of Ahias after Jan van der Straet is documented through subject, maker, print history and object description. Read the record behind the image.

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Amazzone Menalipe front imageHistoric, old master and unattributed cases

Amazzone Menalipe

A Menalipe soldier painting is reviewed through restoration, surface recovery and inscription visibility. The report shows how cleaning can change the evidence.

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Anonymous Continental School, late 18 th front imageHistoric, old master and unattributed cases

Anonymous Continental School, late 18 th

A late eighteenth-century Continental School painting is studied through scale, surface, frame, verso and aging mechanisms. What does the object disclose?

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Charles Emmanuel II, Duke of Savoy front imageHistoric, old master and unattributed cases

Charles Emmanuel II, Duke of Savoy

A portrait of Charles Emmanuel II is documented through costume, linen canvas, period identity and visual presentation. The report builds the historical file.

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d'après Correggio front imageHistoric, old master and unattributed cases

d'après Correggio

A small oval work after Correggio is examined through frame, verso and prototype comparison. The report follows the relationship between copy and source.

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Drawing after Raphael front imageHistoric, old master and unattributed cases

Drawing after Raphael

A drawing after Raphael is reviewed through paper, frame, condition and restoration recommendations. The case clarifies what can be known from the object.

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El Afilador front imageHistoric, old master and unattributed cases

El Afilador

El Afilador is examined through canvas, frame, back side and age estimation. The report turns ordinary construction details into art-historical evidence.

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En el Bosque front imageHistoric, old master and unattributed cases

En el Bosque

A woodland scene is presented through restoration, frame replacement and visual reintegration. The case shows how treatment affects presentation and reading.

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Flight to Egypt front imageHistoric, old master and unattributed cases

Flight to Egypt

A Flight to Egypt painting is reviewed through frame, reverse, condition, iconography and related examples. Follow the clues across subject and support.

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Grove Hill front imageHistoric, old master and unattributed cases

Grove Hill

Grove Hill is studied against an 1838 engraving, with back-side and condition evidence anchoring the comparison. How close is the painted translation?

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Hunting Party front imageHistoric, old master and unattributed cases

Hunting Party

A hunting party scene is documented through restoration phases, lining, cleaning and in-painting. The report shows the object before and after intervention.

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Jupiter, Io and Juno front imageHistoric, old master and unattributed cases

Jupiter, Io and Juno

A mythological scene linked to Canini is examined through restoration, literature, composition and related commissions. The case connects object study and scholarship.

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Landscape painting front imageHistoric, old master and unattributed cases

Landscape painting

A landscape on board is reviewed through frame, reverse, origin and age estimation. The report shows how a quiet support can speak loudly.

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Madonna and Child front imageHistoric, old master and unattributed cases

Madonna and Child

A Madonna and Child is compared with Gossaert-related visual sources, back-side evidence and stylistic concerns. What does the devotional image reveal?

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Martyrdom painting front imageHistoric, old master and unattributed cases

Martyrdom painting

A martyrdom painting is reviewed through composition, technical observations and restoration condition. The report documents the drama and the object beneath it.

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Mary Magdalene front imageHistoric, old master and unattributed cases

Mary Magdalene

A Mary Magdalene painting is studied through light, spatial setting, painterly handling and conservation treatment. The case follows both image and surface.

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Obverse of the painting in its late-Victorian swept frame front imageHistoric, old master and unattributed cases

Obverse of the painting in its late-Victorian swept frame

A small painting in a Victorian frame is compared with a National Gallery source. The report asks what the object is, not only what it depicts.

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Orpheus Charming the Animals front imageHistoric, old master and unattributed cases

Orpheus Charming the Animals

Orpheus Charming the Animals is reviewed through panel, back side and artistic analysis. The report follows the subject from myth to material evidence.

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Paul Harnisch, Geese by a Farm Pond front imageHistoric, old master and unattributed cases

Paul Harnisch, Geese by a Farm Pond

A Paul Harnisch farm-pond scene is documented through condition and restoration. The report focuses on surface, support and pastoral identity.

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Penitent Mary Magdalene front imageHistoric, old master and unattributed cases

Penitent Mary Magdalene

A Penitent Mary Magdalene is reviewed through frame, reverse, stabilization, iconography and emotional content. See how conservation informs interpretation.

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Portrait associated with King James front imageHistoric, old master and unattributed cases

Portrait associated with King James

A portrait associated with King James is examined through costume, identity, surface and historical framing. The report tests the sitter story carefully.

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Portrait of a French Nobleman front imageHistoric, old master and unattributed cases

Portrait of a French Nobleman

A French nobleman portrait is documented through costume, format and old master portrait conventions. Open the case to see the evidence file.

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Portrait of a German Gentleman front imageHistoric, old master and unattributed cases

Portrait of a German Gentleman

A German gentleman portrait is reviewed as a historical object, with attention to costume, pose, frame and age indicators. What does the portrait preserve?

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Portrait of a Woman front imageHistoric, old master and unattributed cases

Portrait of a Woman

A portrait of a woman is examined through presentation, costume and painted surface. The report turns a private likeness into a structured object record.

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Portrait of an English Gentleman front imageHistoric, old master and unattributed cases

Portrait of an English Gentleman

An English gentleman portrait is studied through sitter type, clothing, support and visual condition. The case follows identity through material evidence.

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Portrait of an Old Man front imageHistoric, old master and unattributed cases

Portrait of an Old Man

A portrait of an old man is reviewed through expression, handling, age indicators and condition. The report asks what history is visible on the surface.

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Portrait of Bishop Owen Emeric Vidal front imageHistoric, old master and unattributed cases

Portrait of Bishop Owen Emeric Vidal

A portrait of Bishop Owen Emeric Vidal is examined through clerical identity, costume and object condition. The report builds the case around sitter evidence.

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Portrait of Charles Barnwell front imageHistoric, old master and unattributed cases

Portrait of Charles Barnwell

A portrait of Charles Barnwell is documented through format, costume and historical presentation. Read how the file approaches identity and period.

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post-Constable front imageHistoric, old master and unattributed cases

post-Constable

A post-Constable landscape subject is reviewed through composition, atmosphere and English landscape context. The report asks how tradition appears in the work.

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Putti Angels front imageHistoric, old master and unattributed cases

Putti Angels

Putti Angels is examined through decorative composition, surface and old master vocabulary. The report invites a closer look at charm and construction.

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Ready for Church front imageHistoric, old master and unattributed cases

Ready for Church

Ready for Church is reviewed through subject, condition and nineteenth-century visual culture. The case follows the evidence behind a narrative scene.

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Sacrifice of Polyxena at the Tomb of Achilles front imageHistoric, old master and unattributed cases

Sacrifice of Polyxena at the Tomb of Achilles

A Sacrifice of Polyxena drawing is examined through classical subject, paper, line and antique source tradition. What does the drawing reveal?

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Saint Andrew front imageHistoric, old master and unattributed cases

Saint Andrew

A Saint Andrew painting is reviewed through iconography, composition and Venetian old master context. The report traces the evidence behind the attribution field.

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Sibila front imageHistoric, old master and unattributed cases

Sibila

A Sibila image is documented through subject, handling and old master presentation. The report asks how prophecy, style and object condition meet.

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South coast fishermen front imageHistoric, old master and unattributed cases

South coast fishermen

A South coast fishermen scene is studied through marine atmosphere, condition and period presentation. The report follows the object beyond its shoreline view.

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St Alexander front imageHistoric, old master and unattributed cases

St Alexander

St Alexander is examined through devotional subject, costume and surface evidence. The report builds a readable file from iconography and material detail.

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The Chariot of Aurora front imageHistoric, old master and unattributed cases

The Chariot of Aurora

The Chariot of Aurora is reviewed through mythological composition, color and old master decorative language. Open the report to see the supporting evidence.

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The Hermit front imageHistoric, old master and unattributed cases

The Hermit

The Hermit is studied through figure, setting, surface and contemplative iconography. The report asks what the object can tell without overclaiming.

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The Holy Family front imageHistoric, old master and unattributed cases

The Holy Family

The Holy Family after Raphael is reviewed through prototype, condition, frame and devotional composition. The report tests copy, age and presentation.

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The oil on canvas, "The Stoning of St Stephen" front imageHistoric, old master and unattributed cases

The oil on canvas, "The Stoning of St Stephen"

A Saint Stephen painting is approached through subject, canvas evidence and old master comparison. The full report reveals how the case was framed.

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The oil on canvas, "Untitled" front imageHistoric, old master and unattributed cases

The oil on canvas, "Untitled"

A Shakespeare-related portrait is examined through image tradition, costume, canvas and identity claims. The report follows the evidence behind the face.

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The Triumph of Apollo front imageHistoric, old master and unattributed cases

The Triumph of Apollo

The Triumph of Apollo is reviewed through mythological program, composition and decorative history. The report invites a closer look at its classical language.

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Victorian Sea front imageHistoric, old master and unattributed cases

Victorian Sea

A Victorian sea view is documented through condition, maritime subject and period presentation. The case shows how a seascape becomes an evidence file.

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Virgin and Child with the Infant Saint John the Baptist front imageHistoric, old master and unattributed cases

Virgin and Child with the Infant Saint John the Baptist

A Virgin and Child with the Infant Saint John is studied through damage, iconography and restoration evidence. The report follows beauty and condition together.

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Tempi front imageHistoric, old master and unattributed cases

Tempi

A Tempi Madonna-related work is examined through Renaissance prototype, board evidence, condition and color concerns. The report asks what period the object truly suggests.

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23 reports

Pablo Picasso

Couleurs des Maîtres -- Picasso front imagePablo Picasso

Couleurs des Maîtres -- Picasso

A Picasso-related color composition is reviewed through edition context, printed source and visual evidence. The report asks what kind of Picasso object it is.

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Dual Reflection front imagePablo Picasso

Dual Reflection

Dual Reflection is examined through inscriptions, provenance markings, catalogue context and signature evidence. Which marks support the story, and which do not?

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Estate artwork attributed to Picasso front imagePablo Picasso

Estate artwork attributed to Picasso

An estate artwork attributed to Picasso is tested through signature evidence and documentary context. The report follows the claim beyond family history.

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Faune rieur (Pour Madame Coudert) front imagePablo Picasso

Faune rieur (Pour Madame Coudert)

Faune rieur is reviewed through line quality, public offering history, signature/date evidence and drawing grammar. The report asks whether the hand convinces.

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Françoise Gilot front imagePablo Picasso

Françoise Gilot

A Francoise Gilot-related Picasso case is examined through provenance, composition and the Gerda Becker narrative. The report weighs story against object.

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Galerie Louise Leiris front imagePablo Picasso

Galerie Louise Leiris

A Galerie Louise Leiris-related Picasso claim is reviewed through poster model, incomplete transfer and date inscriptions. Open the report for the evidence.

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Giorno Normale front imagePablo Picasso

Giorno Normale

Giorno Normale is studied through ink handling, verso notations, medium, signature and date-line anomalies. The report follows the drawing closely.

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Little Pierrot front imagePablo Picasso

Little Pierrot

Little Pierrot is examined through image source, screen evidence, wall appearance and signature context. The case asks what kind of object this is.

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Mother Child front imagePablo Picasso

Mother Child

Mother Child is reviewed through primary source composition, catalogue entries, technical details and signature/date evidence. The findings hinge on comparison.

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Nature morte front imagePablo Picasso

Nature morte

Nature morte is tested through signature, related Picasso works and still-life language. The report asks whether the signs align with the claim.

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Painter and model drawing front imagePablo Picasso

Painter and model drawing

A painter and model drawing is reviewed through paper, crayon, certificate evidence and catalogue context. The report follows support and source together.

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Picasso composition study front imagePablo Picasso

Picasso composition study

A Picasso composition study is tested through back side, condition, self-portrait context and signature evidence. The report tracks several pressure points.

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Picasso Dinant study front imagePablo Picasso

Picasso Dinant study

A Dinant-related Picasso study is reviewed through reproduction history, dating, artistic analysis and signature evidence. What does the timeline reveal?

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Picasso drawing study front imagePablo Picasso

Picasso drawing study

A Picasso ink-wash drawing is examined through front, back, stamp and certificate evidence. The report asks how documentation changes the reading.

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Picasso inscription study front imagePablo Picasso

Picasso inscription study

A Picasso inscription study is reviewed through dedication wording, handwriting, date, drawing structure and comparative style. The report follows the text.

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Picasso nude painting study front imagePablo Picasso

Picasso nude painting study

A Picasso nude painting study is reviewed through subject, comparables and visual structure. The report asks whether the composition belongs in the story.

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Picasso signature study front imagePablo Picasso

Picasso signature study

A Picasso signature study examines inscription area, texture, provenance and handwriting behavior. The report follows the mark as evidence.

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Still life with vases front imagePablo Picasso

Still life with vases

A still life with vases is reviewed through board, tabletop motif, details and signature evidence. The case asks how close comparison can go.

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The First Kiss front imagePablo Picasso

The First Kiss

The First Kiss is examined through documentary evidence, catalogue note, signature inconsistencies and composition. Open the report to see the decisive clues.

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The Slave front imagePablo Picasso

The Slave

The Slave is reviewed through architectural background, documentary support and signature evidence. The report asks whether context and hand align.

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The Three Fates front imagePablo Picasso

The Three Fates

The Three Fates case is tested through structure, brushwork, proportions, color and attribution context. The report makes the comparison visible.

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Toros y Toreros front imagePablo Picasso

Toros y Toreros

Toros y Toreros is examined through watercolor handling, back-side labels, series context and signature evidence. The findings reward a close read.

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Woman and bull drawing front imagePablo Picasso

Woman and bull drawing

A Woman and Bull drawing is reviewed through provenance, museum context, catalogue notes and signature inconsistencies. What does the paper record support?

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