Real client case
Frontal view of the artwork, signed "Vincent" and labeled A1
Selected evidence
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High resolution pictures of the artwork labeled A1, provided by the customer, showing the painting signed "Vincent". Bibliographic references: J.-B. de la Faille, The Works of Vincent van Gogh: His Paintings and Drawings , Catalogue Raisonné, Meulenhoff International, Amsterdam, 1970. Sjaar van Heugten, Joachim Pissarro, Chris Stolwijk, Van Gogh and the Colors of the Night , Hardcover, September 1, 2008. Frontal view of the artwork, signed "Vincent" and labeled A1
The backside of the artwork Danse des étoiles reveals important details about its construction and presentation. The canvas is stretched over a wooden stretcher, which is typical of traditional oil paintings. The stretcher itself is constructed from a softwood, likely pine, and features four wedges in the corners.
The painting Danse des étoiles is enclosed in a wooden frame that complements the artwork's colors and overall aesthetic. The frame features a combination of gold and dark tones, with a layered, beveled design that draws the viewer's eye inward toward the painting. The outermost section of the frame is broad and flat, transitioning into a narrower, raised inner edge that is painted in black, adding depth and contrast to the presentation.
The Starry Night is a quintessential example of Vincent van Gogh's mastery in using the impasto technique, where thick layers of oil paint are applied to the canvas with bold, gestural brushstrokes. Painted in June 1889 during Van Gogh's stay at the Saint-Paul-de-Mausole asylum in Saint-Rémy-de-Provence, the painting measures 29.02 inches by 36.26 inches and is considered one of the most iconic works of the post-impressionist period. Dominating the composition is a night sky filled with swirling, turbulent patterns
Van Gogh's revolutionary use of color involved employing complementary colors to create vibrancy and emotional depth in his works. The color palette of Danse des étoiles superficially resembles Van Gogh's in its use of blues, yellows, and purples. However, upon closer examination, subtle differences in the tones and the way they are layered become apparent.
The impasto technique, characterized by the thick application of paint that creates a textured, almost three-dimensional surface, is one of the hallmarks of Vincent van Gogh's painting style. In his works, Van Gogh used impasto to convey emotion and movement, particularly in his depictions of natural elements like the sky, trees, and fields. This technique allowed him to enhance the visual impact of his paintings, making the viewer almost feel the energy and vibrancy of the scene.
The signature on Danse des étoiles , which reads "Vincent," presents several inconsistencies when compared with verified authentic examples of Van Gogh's signature. Van Gogh typically signed his works with just his first name, "Vincent," toward the end of his career, but the way the signature is executed in this painting raises several red flags. First, the color choice for the signature is unusual.
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