Real client case
Italian Paintings 13th and 14th Centuries
Real client case reviewed by ConfirmArt for Italian Paintings 13th and 14th Centuries, attributed or related to Giotto. The public page presents selected visual evidence and a rendered report viewer without exposing the private commissioned PDF.
- Artist / group
- Giotto
- Identifier
- 0251-11/2023

Report structure
Section summaries
01Artistic Style and Pigment Use
The artistic style, particularly the transition from Byzantine to early Renaissance naturalism, suggests an affinity with the 14th century. The use of specific pigments and the application techniques, such as: Reds : The reds, particularly in Mary's garment, could be made from natural earth pigments or from more expensive materials like vermilion or red lake pigments, which were commonly used in both the 14th and 16th centuries. Blues : The dark cloak of Mary suggests the use of azurite, which was a common blue pig

02Examination of the Artwork's Frame
The frame around the Madonna and Child artwork tells its own historical story, complementing the painting it houses. The detailed images (Figures and ) allow us to scrutinize its age and the conditions it has endured. 0.4 First close-up of the frame, showing signs of wear and woodworm damage.

03Analysis of the Frame's Profile
The profile of the frame provides insight into its historical and physical state. The close-up images allow for an examination of characteristics informing us about the frame's age. 0.45 Profile view showing the rough texture and evidence of woodworm damage.

04Observations from the Artwork's Rear
An initial inspection of the back side of the Madonna and Child painting has unveiled traces of an earlier artwork, obscured by time but still faintly perceptible beneath the current surface. Overall view of the back side of the panel, showing remnants of a prior painting. On the left side of the panel, one can make out a faded object resembling a long, slender staff or walking stick, part of what must have been a larger scene or .

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